Skip to main content

2026-04-29 Image 28 mm f/2.8 Repair


This Auto Image 28 mm f/2.8 lens in Canon FD mount seems to have a aperture shutdown problem. I have other lenses just like it, but feeling brave one day I decided to take it apart to see what was jamming it up.

    It was largely a disaster. I had set up to take images of each step. After taking one image of just the mount I decided to take out the three screws that hold the Canon FD mount onto the back of the lens (black screws at a clock’s 1, 5 and 9 roughly). My first screwdriver turned out to be so worn it wouldn’t grip the cross headed screws, After a trip to the basement for my complete set of  small screwdriver bits (I needed a Japanese 000) I found the screws really tight. So tight the tip of the screwdriver sheared off. After cleaning out the remnants of the tip with a snap-off knife tip I finally managed to remove all three black-headed screws.
    Clear sailing you think, let’s see the steps you say, well I was too busy fighting with the mount to take time to document each step.
Things you have to be careful about include—
  • A very small spring loaded pin that fits loose in the lens (at 3 on the clock face) has to be watched carefully
  • there are two linkages from mount to lens: one has a sharp hook (connected to the black projection close to mount screw at 5) and one is straight (connected to smaller black tab in curved slot close to black mount screw at 9)
  • where the f/stop is set may enter into lining the linkages up again
  • where the mount’s breech ring is positioned may make a difference…or maybe not
    As an indication of how much fun this is, I reassembled and then took the lens apart at least three times. Every time it worked when I checked—before replacing the screws—and twice it stopped working after tightening the screws in place.
The lens aperture setting is done by the straight linkage. The hooked linkage does the shut-down to the aperture the straight linkage is set to. The aperture is spring loaded to open after the exposure. The hooked linkage is spring loaded to reset after the camera slams it. 
So the action is—
  • set aperture choice on lens
  • fire camera, which shuts the aperture down
  • aperture pops open again after shutter closes

The problem with this lens is the spring that resets the aperture to wide open—wound around the optics in the midpoint of the interior—is weak. If it was just a bit stronger the lens would be fine. Similar action happens with aperture blades fouled by oil or dirt. The increase in friction slows the action and sometimes even sticks so the aperture does not fully open and close during the exposure. 
Strangely one of the things that helps can be working the action. You don’t have to mount the lens and use a camera to work the stop-down linkage. 

Comments

Popular posts from this blog

2026-03-14 - History and Evolution of the Kodak Logo

  While working as a junior clerk at the Rochester Savings Bank, George Eastman first began commercial production of dry photographic plates in a rented loft of a building in Rochester, New York in April 1880. In the next few years, Eastman became very successful and expanded the company several times. His company started as the Eastman Dry Plate Company in 1881, later became the Eastman Dry Plate and Film Company in 1884, and soon after the Eastman Company in 1889. The last name change occurred in 1892, when the Eastman Kodak Company of New York was organized. The company has been called Eastman Kodak Company ever since.  The word "Kodak" was first registered as a trademark in 1888. The letter “K” had been a favorite of Eastman’s, he is quoted as saying, "I devised the name myself. The letter 'K' had been a favorite with me; it seems a strong, incisive sort of letter. It became a question of trying out a great number of combinations of letters that made word...

2026-03-20-Manfrotto monopods

  Sometimes collecting is a matter of persistence.       The Manfrotto “GRUPPO” 434SSB monopod (shown top) showed up one day at my local thrift store. They had a price tag of $25 on it. I had bought the lower Manfrotto Compact MMC3-01 monopod at the same thrift store for $3. So I asked, “Why so much?” They answered their “expert” had found it sold for $200 on the internet. I find experts—who almost never clerk in the thrift store, so are unreachable—hard to deal with. There is also the matter someone might actually pay them $25 for a 2.27 kg (5 pound) aluminum pole, so I decided to let the Gods-of-Collecting decide if I was going to ever own it. For weeks I would pick it up, check the price tag to see if they had come to their senses, and return it to the shelf. I did try various clerks to see if they would lower the price, but they said they were not authorized to change prices. I plodded on, week after week without much hope.         ...

2026-03-25 The Kiron 70-150 mm F/4

This Kiron 70-150 mm f/4 Macro1:4MC zoom was made by Kino Precision, Japan in 1980. The same company made both 1.5x and 2x extenders for this lens. It is a lovely design featuring a 52 mm filter size —common to many normal lenses—and a constant f/4 at all zoom positions. The f/stops are full stops from f/4 to f/5.6 and from f/16 to f/22 while the other apertures are half stops apart. FOCAL LENGTH RANGE:          70mm - 150mm [2.1X zoom ratio] DIAGONAL ANGLE OF VIEW: 34.3° @ 70mm - 16.4° @ 150mm   LENS CONSTRUCTION: 13 elements in 9 groups WEIGHT (Olympus OM Mount): 460 g (with hood, front and rear caps) The macro range sets in below the three foot (0.9 m) marked distance at all zoom positions but you only get to the minimum 1:4 ratio at 150 mm. Macro starts around a 1:8 macro range at 70 mm. This is the only lens I have ever collected that has the original price sticker on the rear cap. At least I assume it is the original price sticker… It ha...