Skip to main content

2026-05-29 Minolta F10BF Camera

Our camera club monthly meeting subject was to be “Plastic Cameras”. Of course we all have some, so the problem is more how to find them in your own collection, or should the cameras be acquired in the month between meetings. Technically plastic cameras can be any material from bakelite to injected plastic materials so all disposable cameras, many simple reloadable 35 mm and even many roll film cameras—828, 127, 120, 620—that are largely unadjustable would fit the mandate.
    

When I had a chance to buy this Minolta F10BF for $1, I thought it would make a good plastic camera.
 
It—
  • is fixed focus
  • has no shutter speed or aperture adjustment
  • hasn’t a selftimer, cable  release socket or tripod fitting
  

 
The flash can’t be turned off. In a way the only exposing adjustment is automatic switching from 100 to 400 ISO using a single Dx contact. Changing of ISO might only affect the red-eye reduction LED being turned on when flash is going to be used. If there is enough light to make an exposure at 125 sec and f/5.6 (wide open), maybe the flash won’t fire. Otherwise the flash fires every time and the redeye reduction LED light lights as soon as you start to press the shutter release. The flash can properly expose to 2.74 m (9 feet) with ISO 100 film. There is a green confirmation LED inside the viewfinder that lights when the flash has recharged, in case you want to take multiple photographs close together.
    The camera is always focused at the hyper focal distance that makes the closest focus 1.8 m (6 feet) while including infinity at the other end.
    

All this sounds pretty basic, but the camera has motor load/rewind, red eye reduction, a “Big Finder”, Dx code detection, a lens cover, switchable rewind and works on two AA batteries available everywhere. It came with a neck strap, not a puny wrist strap.
    An almost identical Minolta F15BF came out later with a f/4 lens

Comments

Popular posts from this blog

2026-03-14 - History and Evolution of the Kodak Logo

  While working as a junior clerk at the Rochester Savings Bank, George Eastman first began commercial production of dry photographic plates in a rented loft of a building in Rochester, New York in April 1880. In the next few years, Eastman became very successful and expanded the company several times. His company started as the Eastman Dry Plate Company in 1881, later became the Eastman Dry Plate and Film Company in 1884, and soon after the Eastman Company in 1889. The last name change occurred in 1892, when the Eastman Kodak Company of New York was organized. The company has been called Eastman Kodak Company ever since.  The word "Kodak" was first registered as a trademark in 1888. The letter “K” had been a favorite of Eastman’s, he is quoted as saying, "I devised the name myself. The letter 'K' had been a favorite with me; it seems a strong, incisive sort of letter. It became a question of trying out a great number of combinations of letters that made word...

2026-03-20-Manfrotto monopods

  Sometimes collecting is a matter of persistence.       The Manfrotto “GRUPPO” 434SSB monopod (shown top) showed up one day at my local thrift store. They had a price tag of $25 on it. I had bought the lower Manfrotto Compact MMC3-01 monopod at the same thrift store for $3. So I asked, “Why so much?” They answered their “expert” had found it sold for $200 on the internet. I find experts—who almost never clerk in the thrift store, so are unreachable—hard to deal with. There is also the matter someone might actually pay them $25 for a 2.27 kg (5 pound) aluminum pole, so I decided to let the Gods-of-Collecting decide if I was going to ever own it. For weeks I would pick it up, check the price tag to see if they had come to their senses, and return it to the shelf. I did try various clerks to see if they would lower the price, but they said they were not authorized to change prices. I plodded on, week after week without much hope.         ...

2026-03-25 The Kiron 70-150 mm F/4

This Kiron 70-150 mm f/4 Macro1:4MC zoom was made by Kino Precision, Japan in 1980. The same company made both 1.5x and 2x extenders for this lens. It is a lovely design featuring a 52 mm filter size —common to many normal lenses—and a constant f/4 at all zoom positions. The f/stops are full stops from f/4 to f/5.6 and from f/16 to f/22 while the other apertures are half stops apart. FOCAL LENGTH RANGE:          70mm - 150mm [2.1X zoom ratio] DIAGONAL ANGLE OF VIEW: 34.3° @ 70mm - 16.4° @ 150mm   LENS CONSTRUCTION: 13 elements in 9 groups WEIGHT (Olympus OM Mount): 460 g (with hood, front and rear caps) The macro range sets in below the three foot (0.9 m) marked distance at all zoom positions but you only get to the minimum 1:4 ratio at 150 mm. Macro starts around a 1:8 macro range at 70 mm. This is the only lens I have ever collected that has the original price sticker on the rear cap. At least I assume it is the original price sticker… It ha...