Skip to main content

2026-08-18 Fedco Developing Tank

    The Fedco tank was made in the USA back when brittle Bakelite plastic was the best plastic they had. The choice of flower pot colour is interesting as most darkroom tanks were made of black material.
    Opposite the “Fedco” label they printed “Developing Tank”. Below that there is a very small ridge with “POUR” printed above it.










    Once the top is rotated and lifted all you can see the ridges that make the tank’s lid joint lightproof. See that white stripe running along the outer ridge? That seems to be glue or some sort of mastic.


The same area shot upside down. Isn’t it neat the tank could have a chunk cracked off it and someone repaired it?


Same view of the repair, just slightly different lighting and angle. The white stuff is almost as hard as china.

    At the bottom of the tank there are these three semi-circular ridges to center the film spool’s shaft. I am amazed the tank is lightproof as the shaft is wide open at the top.













    This is the interior film spool—set for 35 mm—showing the six vents in the top that allow fluids to fill and drain. Really violent agitation would sometimes produce flow marks on the film’s borders.












    Close to the lens the film groove end has two rounded tabs projecting towards each other the film is slid under. When the film is completely wound on the film end drops behind the square end stops so the film is trapped on the spool. If there wasn’t this arrangement the film could wind itself off the spool.
Closer to the hub there is a metal tab sticking up. 







    On the outside of the spool there is the other end of the metal strip. That piece of metal has a projection in the middle facing in that catches on those holes—setting the film size.













    There are four holes that set the spool for different film widths.










    This is the metal strip with the dimple that clicks into the holes.















    The top of the film spool can be pulled off the shaft. The clearances between the parts is pretty amazing.










    The film spool can rest across the tank.
















    There is a bit of material chipped away on the rim of the film spool. Nothing that would make any difference to the process.










    The original spool agitator must have broken or got lost, so the owner whittled a new wooden one, The agitator fork fits into a bar in the bottom of the spool so the spool can be twisted back and forth to agitate the film in the liquid solutions.













This is the full agitator. 

    And this is the agitator in place inserted through the top.















    Returning to the pour lip previously mentioned, liquids are poured in down the middle of the tank lid and poured out here. 
Inside the tank there is a slot the liquids can be poured out through.












    Inside the top this is the light trap liquids are poured in through. It forms a light tight connection the the reel’s hub.










    The film spool can be separated to allow for drying the grooves.













Here are all the parts, except the agitator. 

ADDITIONAL DETAILS

The Fedco tank takes 30 sec to completely fill through the lid with 24 oz of liquid. It takes about the same time to empty through the lid.
    It takes 13 oz to cover the 35 mm setting.
    The maximum width of film that fits between the grooves is 2¾ inches.

Comments

Popular posts from this blog

2026-03-14 - History and Evolution of the Kodak Logo

  While working as a junior clerk at the Rochester Savings Bank, George Eastman first began commercial production of dry photographic plates in a rented loft of a building in Rochester, New York in April 1880. In the next few years, Eastman became very successful and expanded the company several times. His company started as the Eastman Dry Plate Company in 1881, later became the Eastman Dry Plate and Film Company in 1884, and soon after the Eastman Company in 1889. The last name change occurred in 1892, when the Eastman Kodak Company of New York was organized. The company has been called Eastman Kodak Company ever since.  The word "Kodak" was first registered as a trademark in 1888. The letter “K” had been a favorite of Eastman’s, he is quoted as saying, "I devised the name myself. The letter 'K' had been a favorite with me; it seems a strong, incisive sort of letter. It became a question of trying out a great number of combinations of letters that made word...

2026-03-20-Manfrotto monopods

  Sometimes collecting is a matter of persistence.       The Manfrotto “GRUPPO” 434SSB monopod (shown top) showed up one day at my local thrift store. They had a price tag of $25 on it. I had bought the lower Manfrotto Compact MMC3-01 monopod at the same thrift store for $3. So I asked, “Why so much?” They answered their “expert” had found it sold for $200 on the internet. I find experts—who almost never clerk in the thrift store, so are unreachable—hard to deal with. There is also the matter someone might actually pay them $25 for a 2.27 kg (5 pound) aluminum pole, so I decided to let the Gods-of-Collecting decide if I was going to ever own it. For weeks I would pick it up, check the price tag to see if they had come to their senses, and return it to the shelf. I did try various clerks to see if they would lower the price, but they said they were not authorized to change prices. I plodded on, week after week without much hope.         ...

2026-06-23 Olympus Camedia D-535 Digital Camera

The Olympus Camedia D-535 digital camera is a cute little camera, introduced September 16, 2004. It was modestly priced at about $175 list.   It had the motto, “one button/one function.” There were four scene modes available, as well as movies (QuickTime / 320x240 at 15 fps for as long as the memory held out) and “Program-Auto” on the rotary dial. A four direction with a center “OK” allowed rapid access to (starting at 12 and going clockwise)— EV adjustments plus and minus 2EV in ½ EV steps Macro (including Super-Macro allowing shooting down to 2 cm (0.79”) Reset Self-timer (12 seconds)      The three buttons under the 1.5 inch (130,000 dot) screen (from left) are delete, menu access and flash modes. The two buttons to the right of the screen are camera (top) and playback. There is a rocker switch for zooming that doubles as a magnification /file views switch on playback. The power-on button is inset into the top at the middle of the camera, with the shutter button ...